Meet, Jordi Benito, one of the most controversial and subversive artists in the history of contemporary art.

Meet, Jordi Benito, one of the most controversial and subversive artists in the history of contemporary art.

Meet, Jordi Benito, one of the most controversial and subversive artists in the history of contemporary art.

Meet, Jordi Benito, one of the most controversial and subversive artists in the history of contemporary art.

Meet, Jordi Benito, one of the most controversial and subversive artists in the history of contemporary art.

We were asked to create a book, reconstructing the biography and artistic activity of the legendary Benito. As one of the most radical conceptual artists, we made sure to put his work of art in the edition fixing the chronology of the documents and complementing them with the major works of the Museum's collection. The book reconstructs, with data and aesthetic literature, biography and the artistic work of Benito.

We were asked to create a book, reconstructing the biography and artistic activity of the legendary Benito. As one of the most radical conceptual artists we made sure to put his work of art in the edition fixing the chronology of the documents and complementing them with the major works of the Museum's collection. He used a dead body in a provocative performance that foreshadowed the work of Damien Hirst. In his rituals, Benito dismembered animals and used blood as an artistic element. Music was an essential component: he was particularly fond of Wagner and collaborated with musicians and composers such as Carles Santos and Agustí Fernández. The book reconstructs, with data and aesthetic literature, the biography and the artistic work of Benito.

We were asked to create a book, reconstructing the biography and artistic activity of the legendary Benito. As one of the most radical conceptual artists we made sure to put his work of art in the edition fixing the chronology of the documents and complementing them with the major works of the Museum's collection. He used a dead body in a provocative performance that foreshadowed the work of Damien Hirst. In his rituals, Benito dismembered animals and used blood as an artistic element. Music was an essential component: he was particularly fond of Wagner and collaborated with musicians and composers such as Carles Santos and Agustí Fernández. The book reconstructs, with data and aesthetic literature, the biography and the artistic work of Benito.

We were asked to create a book, reconstructing the biography and artistic activity of the legendary Benito. As one of the most radical conceptual artists we made sure to put his work of art in the edition fixing the chronology of the documents and complementing them with the major works of the Museum's collection. He used a dead body in a provocative performance that foreshadowed the work of Damien Hirst. In his rituals, Benito dismembered animals and used blood as an artistic element. Music was an essential component: he was particularly fond of Wagner and collaborated with musicians and composers such as Carles Santos and Agustí Fernández. The book reconstructs, with data and aesthetic literature, the biography and the artistic work of Benito.

We were asked to create a book, reconstructing the biography and artistic activity of the legendary Benito. As one of the most radical conceptual artists we made sure to put his work of art in the edition fixing the chronology of the documents and complementing them with the major works of the Museum's collection. He used a dead body in a provocative performance that foreshadowed the work of Damien Hirst. In his rituals, Benito dismembered animals and used blood as an artistic element. Music was an essential component: he was particularly fond of Wagner and collaborated with musicians and composers such as Carles Santos and Agustí Fernández. The book reconstructs, with data and aesthetic literature, the biography and the artistic work of Benito.

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